composersfriend.org valuation and analysis

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Title Adventures in commissioning music. - Composer’s
Description Why commission music? In 2007, we attended a concert where the Emerson String Quartet, in a daunting and impressive performance, played all three of Beethoven’s Opus 59 string quartets, commonly referred to as the Razumovsky quartets in honor of the
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WebSite composersfriend faviconcomposersfriend.org
Host IP 63.250.43.11
Location United States
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composersfriend.org Valuation
US$1,005
Last updated: 2023-05-20 04:27:20

composersfriend.org has Semrush global rank of 0. composersfriend.org has an estimated worth of US$ 1,005, based on its estimated Ads revenue. composersfriend.org receives approximately 116 unique visitors each day. Its web server is located in United States, with IP address 63.250.43.11. According to SiteAdvisor, composersfriend.org is safe to visit.

Traffic & Worth Estimates
Purchase/Sale Value US$1,005
Daily Ads Revenue US$0
Monthly Ads Revenue US$27
Yearly Ads Revenue US$334
Daily Unique Visitors 7
Note: All traffic and earnings values are estimates.
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HtmlToTextCheckTime:2023-05-20 04:27:20
Composer’s Friend Commissions Composers Performers Hints Stories CANOA Links Composer’s Friend Menu Adventures in commissioning music. Performance part, violin 2, James Matheson String Quartet recording session, November 7, 2016, Samueli Hall, Segerstrom Center for the Arts Andrey Krillovich Razumovsky Why commission music? In 2007, we attended a concert where the Emerson String Quartet, in a daunting and impressive performance, played all three of Beethoven’s Opus 59 string quartets, commonly referred to as the Razumovsky quartets in honor of the Russian Count who commissioned them. So who was Count Razumovsky ? A modest amount of research rewarded me with the story of a man whose life was fascinating even without his connection to Beethoven’s quartets. And yet today, three hundred years later, it is the music that persists, not the story of the man who supported its creation. Other than the good taste and good fortune of commissioning from Beethoven, the Count was part of a long
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